“It’s been a very strange year for everyone,” says Daisy Edgar-Jones. “Mine was crazy.” In addition to adapting to our lifestyle changed by the pandemic, the actress has had to grapple with her rising celebrity status since her delicate portrayal of Marianne Normal people pushed her into the spotlight in April.
The series quickly became the BBC Three’s most-watched program of all time. Almost seven million viewers (including Saoirse Ronan, Jodie Comer and Candice Carty-Williams) turned on the on-off romance of the young lovers. “Television got us all through,” says Daisy. “I am very happy to have been part of such a special show that has met with approval from many people.”
The following rites of passage of the rising stars were all rather unusual: the press tour was conducted primarily in Daisy’s bedroom via Zoom, and fans would come up to her on the street for socially distant selfies. When she finally got to venture out on a red carpet for the Baftas, photographers gave her co-star Paul Mescal a tape measure to make sure they were far enough apart in pictures. “They brought it out and I said, ‘Hmm,'” she says, and bursts into laughter. “It was the most magical day. Really fun doing my makeup and hair and showing off my shoes! Now I’m only in slippers. ”
Over the summer, Daisy returned to film the second series of war of the Worlds under new safety protocols that required regular hand disinfection and a daily Covid test. “It was a little strange at first, but it’s crazy how used you get to things,” she says. “I’m so happy to be back to work.” The actress, who recently took on her first leading role in a Hollywood film, a thriller produced by, expects a lot more from this The big shortis Adam McKay. Due to coronavirus restrictions, the entire audition process was virtual. Daisy met director Mimi Cave on a video call and delivered a self-tape. “I’m pretty good at balancing the camera and doing the lighting,” she says. “The only thing is to train your eye line. Sometimes I get a little shy when I stare at the camera too much. ”Details of the project are currently kept strictly confidential, but Daisy – in her typically exuberant way – is“ overjoyed ”that she was cast in it.
Looking to the future, she hopes to deepen her knowledge of her craft. “I would like to see how much I can transform and change and learn,” she says. “I’m really looking forward to further exploring what I can do.” Given the restrained brilliance of her breakout performance, we are sure Daisy Edgar-Jones will succeed in anything she does.
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