There is an avalanche of questionable posts and racist posts on Twitter. A lot of people are offended by the fact that Omar Sy plays a burglar gentleman who takes inspiration from Lupine, as if he must be white. Caroline Fourest finds it a creative renewal. This is universalism, this is cinema in general. She believes that anyone can play all roles. This is exactly why all the processes of cultural appropriation raise questions, whether it is done in one direction or another.
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The criterion of skin color, the criterion of identity, must not be the only prism in which a work of art is judged. From the moment we put our finger in the act of assigning people to their skin color, even if it is under the pretext of fighting racism, there is always a backlash. If we have to make castings that correspond to the DNA, to the sexuality, to the pigmentation of each role, we will not get away with it.
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